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Heidi Lippman Resume
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BFA California College of the Arts, Oakland, CA
MFA Claremont Graduate University, Claremont, CA
Haystack Mountain School
*Public Art - Site Specific Commissions
2011 *GRAVITIES RAINBOW transom windows
Rockville Town Center
Kettler llC and Preston Partnership
2008 *LIGHT MATTERS interior glass wall
Baltimore Convention Center Hilton Hotel
Baltimore,MD
RTKL Architects
2006 *TRANSORMA/TRANSFORMA exterior glass wall
8045 Newell St Lofts,
Silver Spring, MD
2006 *CONNECTIONS epoxy terrazzo floor
Rockville Town Center Library
Rockville, MD
Grimm and Parker Architects
2005 *DEPARTURES/ A QUINTET glass
BWI Thurgood Marshall Int’l Airport Terminal A/B Connector B
Baltimore, MD
2005 AURA /AURORA interior mosaic wall
Holy Cross Hospital Lobby
Silver Spring, MD
SmithGroup Architects
2003 *IMAGINATION epoxy terrazzo floor
Bethesda Academy of the Performing Arts
Bethesda, MD
Wood and Zapata, Gensler
1998 *DAWN & DUSK exterior mosaic
Prince George’s County and Washington Metro Transit Authority,
New Carrollton, MD
1994 *COSMOS, Aerialscape II rooftop
Arlington Housing Corporation
Rosslyn, VA
1992 *RIVER Run, Aerialscape II rooftop
Washington Suburban Sanitation Commission,
Laurel, MD,
1986 *AERIALSCAPE 1, rooftop
Artery Plaza, Bethesda, MD,
1985 MIRAGE,
Holiday Inn,
Gaithersburg, MD, incised drywall quartet
VENTO, lead
Hickok/Anderson residence, Georgetown, DC,
SUSPECT TERRANE AND SHIFTING MOMENT, drywall
TRW, Fairfax, VA,
private collections in the United States and Europe
Awards
Ford Foundation Faculty Enrichment Award
2003 National terrazzo & Mosaic Association award
2007 Peerless Rockville, Rockville Town Center Library
2008 Washington County Museum, Museum Award, Best of Show, sculpture
One Person Exhibits
2007 Heineman Myers Contemporary Art, Bethesda, MD
1996 Catholic University, Washington, DC
1994 American Association for the Advancement of Science, Washington, DC
1994 Adams Art Gallery, Dunkirk, NY
1992 The Gallery at Bryant Library, Roslyn, NY
1991 Franz Bader Gallery, Washington, DC
1991 Galeria d'arte Davanzati, Firenze, Italy
1985 Galerie Im Werkhaus, Bielefeld, West Germany
1985 Galeria d'arte Davanzati, Firenze, Italy
1984 Gallery Ten, Washington, DC
1981 Libra Gallery, Claremont,CA
Selected Group Exhibits
1983 Maryland Biennial, Baltimore Museum of Art, Baltimore, MD
1988 Deconstruct/Reconstruct, Maryland Art Place, Baltimore, MD
Four Sculptors, Hood College, Frederick, MD
1989 Arlington Arts Center, Arlington, VA
American Center for Physics, College Park, MD,
Critics’ Picks, Maryland Art Place, Baltimore MD,
DC Sculpture Now, Sumner School, Washington, DC
Ten X Ten Addison/Ripley Gallery, Washington, DC
1991 New Sculpture School 33, Baltimore, MD
1992 Revered Earth Watkins Gallery, American University, Washington, DC,
Right Down to the Roots, Delaplaine Visual Arts Center, Frederick, MD
Artscape Maryland Survey, Meyerhoff Gallery, Baltimore, MD
Montgomery College, Rockville, MD,
New Abstraction, Delaware Center for Contemporary Arts, Wilmington, DE
Maryland Artists. Int’l Sculpture Center Conference, Phil, PA
1993 Washington Project for the Arts, Spring Art Show
Outdoor Sculpture, University of MD, University College, Adelphi, MD
Galerie Francoise, Brooklandville, MD
1995 Three Dimensions: Women Sculptors of the 90’s, Newhouse Center for Contemporary Art,
Snug Harbor Cultural Center, Staten Island, NY
Intrinsic Nature,
Anton Gallery, Washington, DC
Frostburg state College, Frostburg, MD
10th Anniversary Exhibit, American Association for the Advancement of Science,
The World Bank, Washington, DC,
2002 1111 Sculpture Space, Washington, DC
2007 Public Art, George Mason University, Fairfax, VA
Bibliography
“Maryland Art Place Gives Artists Fresh Showcase”. Tom Nugent, Baltimore Sun,
11/ 25/ 82
“Maryland Art Place is a new Gallery for Emerging Artists”. Steve Purchase, Baltimore
Evening Sun, 12/2/82, p 2
“Auseinandersetzung mit Form, Farbe und Raum”. Bielefelder Tageblatt, 6/6/85
“Artery Plaza Brings Art to the Street”. Montgomery Journal, Montgomery Business,
10/15/85
“High Art' Developer Tops Off Project with Artistic Roof”.James B. Moore,
Montgomery Journal, 6/16/86
“Rooftop Gallery”. Washington Post, Maryland Weekly, 6/26/86, p 1
“Artery Plaza, The Artery Organization”. International Sculpture, 1/87, p 30
“Building Washington, Art for Developments Sake”. E.C. May, Building Washington,
Summer, 1989, p 21-25
“School 33 focuses on Environment”. Mike Giulano, Baltimore Evening Sun,
12/ 2/90, p C14
“Filtering Through School 33's New Exhibit”. John Dorsey, Baltimore Evening Sun,
12/21/90, Maryland Live, p 19
“Heidi Lippman Lead Sculpture”. Phyllis Jacobs, Eye Wash, 10/ 91, Vol 4, No 1, p 1
“Heidi Lippman”. Sara Tanguy, Sculpture Magazine, 1/ 92, p 56
“Sculptures of New Dimensions”. Janet Wilson, Washington Post, 2/ 22/ 92,
Galleries, p D2
“Watkins exhibit celebrates Nature”. Elena Nantz, The Eagle, American University, 3/2/92, B 1
“Creations bring Character to Public Places”. Mary McCoy, Washington Post, 5/7/92
“Art Goes up-on the Roof. Evelyn Hsu, Washington Post, 12/10/92, The Weekly, p. 1
“Apartments Get Roof Sculpture. Amy B. Resnick, Arlington Journal,
4/15/93, Vol.55, No.71, p1
“Critics Residency Program at Maryland Art Place”. Susana Torruella Leval, Washington Review, 11/93, Editorial Supplement, p 4
“Heidi Lippman's Leaden but Lively Sculptures, Lively Lead Proving it's Metal”.
Mary McCoy, Washington Post, 1/9/94, p G2
“Inside American Association for the Advancement of Science”. Science Vol 263,
1/28/94, p 550
“Wood and Lead Sculptures are on display at Adams Art Gallery”. Mike Miller,
Evening Observer, 12/ 27/94
“Between Earth and Sky”. Mary McCoy, Washington Post, 10/ 6/94, p D 3
“Power Plants”. Mary McCoy, Washington Post, 3/25/95, p. D 2
“Impressions, Improving One’s Outlook”. Urban Land, 5/97, p 12
“Insites”. Metropolis, 6/97, p 35
“For Metro Riders, The Art of the Commute”. Alice Reid, Washington Post, Metro,
1/22/98,p.1,9,
“Art for the Sake of Serene Commuting”. Washington Post, Associated Press,
1/15/98, p .DC 3
“Abstract Metro Stop”, Carl Hartman, Associated Press,
Washington Times, 8/15/98,p. B2
“Transformation”. Washington Post, Prince George’s County Weekly, 8/20/98, p. MD
“Metro Station –turned Gallery, an art deco work in Motion”. Terrie Mosley, Gazette
Community News, 10/1/98. P. 1
“Public Art: No longer Just a Monument-to-Man”. Karen Schafer, Montgomery Gazette,
March 5, 1999, Section C, p.1,2
“Metro’s Stairway to Heaven”. Ben Forgey, Washington Post,
Cityscape, May 29,1999, Arts C5
“In on the ground Floor”, Nicole M Miller, Arts Beat, Washington Post, 2/13/03
“Injecting imagination Into a Drab Urban Form”, Benjamin Forgey, Washington Post,
May 17,2003, P.C1
“Metro Lots Going Cashless”, Karen Brulliard, Washington Post, photo,
June 25,2004, P.B1
National Mosaic and terrazzo Association Awards Announcement,
Architectural Record, Sept. 2004
“For Burgeoning BWI, A Chance to Lighten Up”. Christian Davenport,
Washington Post, The Region/News 1/12/06, p 5
“Changing Spaces”. Christina Stanley, Corridors Inc, 11/2006, BWI: Business, p 22
“Faith in the Libraries Future”. Jennifer Lenhart , Washington Post, Metro,
11/29/2006, p B1 picture
“Floored by an Omission” Washington Post, letter, Larry Kirkland, 12/9/2006, A17
“Public or Personal: Size doesn’t matter”, Karen Shafer, The Montgomery Gazette,
May 2, 2007 p. B4
“Through Sculpture Artist Strives to Inspire Others”, , Tiffany Arnold, Herald Mail, 12/6/2007
“Library Journal”, 12/2007, Vol. 132 No. 20, cover
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